During the coronavirus pandemic, Laura Marris ’10 is working on a new translation of this novel that has gained new relevance. Henry James’ quote that “a writer is someone on whom nothing is lost” is a description that might more accurately describe the work of a translator. De l’avis général, ils n’y étaient pas à leur place, sortant un peu de l’ordinaire. ”, 1/6: Employees - New Daily Health Check requirements for spring, 1/6: Students - New Daily Health Check requirements for spring, Search begins for vice president for student life, Listening session set in social work dean search, ‘Vac-to-Normal’ team wins COVID-19 vaccine challenge, New Daily Health Check requirements for spring, a speech Camus gave in 1946 at Columbia University, College presidents reaction to the violent unrest at the U.S. Capitol, Social platforms flex their power, lock down Trump accounts. 559. Restraint is a quality Marris mentions often discussing Camus’ style, and it’s a characteristic she tries to artfully maintain in her translation, lingering over language and applying the writer’s observation to the careful watching of words. At Yale, Marris was an English major in the creative writing concentration. But for Marris, an adjunct instructor in the Department of English, her work translating Camus’ allegorical tale set in a town ravaged by illness is now a project that continues in the inescapable reality of the current COVID-19 pandemic, a coincidence drawing both bold and lightly shaded parallel lines of art apparently manifest in life. In recent weeks, UK sales of the English translation have … An icon used to represent a menu that can be toggled by interacting with this icon. Case counts rise exponentially, as authorities attempt to downplay the severity of the disease. Comments are limited to 125 words and must follow the university’s Comment Guidelines. Of all Camus’ novels, none described man’s confrontation – and cohabitation – with death so vividly and on such an epic scale as La Peste, translated as The Plague. “So I hope Camus can be one of the voices that advocate for that sort of a future.”. According to Marris, Camus was “incredibly engaged” in reimagining a better world in the aftermath of WWII. Camus had seen the Nazis overrun Paris in 1940 during World War II. From the episode: Liesl Schillinger: I don’t know if your other readers are like me and reading all kinds of books that relate to different epidemics and and plagues in the past, but the way that Camus writes about it or chose to think about it really matters as a key to all of them. According to Kaplan, Camus knew that extinguishing one threat does not guarantee permanent safety, and “The Plague” reminds readers to remain vigilant and “be on the lookout for what in us could be toxic.”. Recently, Kaplan recorded lectures on “The Plague” for her class “The Modern French Novel,” which she co-teaches with French professor Maurice Samuels. Marris said she hopes that her readers will pay more attention to Camus’ depictions of illness. Laura Marris never imagined the approaching relevance of Albert Camus’ “The Plague” when she began working on a new translation of the novel last September for the Knopf Doubleday Publishing Group. Albert Camus; drawing by David Levine. Transportation is cut off, and many are left stranded in unfamiliar places, separated from loved ones. She received an MFA. Meucci said this gave him “hope that humanity can work together in the situation we are currently in,” although his hope was clouded by recent protests against social distancing measures. Marris’ role has become obviously more nuanced since then. “I hope that through this translation, Camus will become one of the voices that advocates for a more humane world when we emerge from this.”. The Plague (French: La Peste) is a novel by Albert Camus, published in 1947, that tells the story from the point of view of an unknown narrator of a plague sweeping the French Algerian city of Oran. Please submit your comments in the box below. Now, “The Plague” invites readers to further consider “the ways society might have the opportunity to change” when the crisis abates, Marris said. UB lecturer updating translation of Camus’ ‘The Plague’ for major publishing house. We can either succumb to plague (sin and death), or aspire to be saints or healers in the face of pandemic. We’re never going to forget that ‘The Plague’ became very close to us in 2020.”. Marris said she hopes to restore the “restraint” in Camus’ narrative language, which she believes will make the book more moving to English readers. According to Kaplan, who has taught “The Plague” for many years, the novel repeatedly reminds readers of real-life events. Camus’s novel offers a glimpse of this in a conversation between Dr. Rieux and Jean Tarrou, who had unfortunately arrived in Oran shortly before the outbreak of the plague. À première vue, Oran est, en effet, une ville ordinaire et rien de plus qu’une préfecture française de la côte algérienne. “The hard thing is to keep that restrained, beautiful, spare language from falling flat.”, Diego Meucci ’22, a student in “The Modern French Novel,” said the book felt “eerily similar” to the current moment, “as though [he were] reading a sort of weird parody of what was happening today.”. The novel presents a snapshot of life in Oran as seen through the author's distinctive absurdist point of view. I expect to cover the book in … “For me there are moments when Camus’ prose is so full and spare, written with such restraint, that I feel like I’m putting on my lyric poetry cap and really trying to capture the lean beauty of those lines,” says Marris, who has published original poetry and prose, and earned her MFA in poetry from Boston University. She’s started her second English draft, which could still be revised another two or three times. A firm publication date hasn’t been set, but what’s certain is that American readers for the first time in two generations will have access to an English language update of “The Plague.”. Marris visited one Zoom class session to discuss the novel and her ongoing translation project. in poetry from Boston University and has published both translations from French and original English poetry and prose. The Plague concerns an outbreak of bubonic plague in the French-Algerian port city of Oran, sometime in the 1940s. Widely read as an allegory for the Nazi occupation of France during World War II, “The Plague” — or “La Peste” — tells the story of the Algerian city of Oran as it is swept by plague and enters a lockdown. Case counts rise exponentially, as authorities attempt to downplay the severity of the disease. La Peste = The Plague, Albert Camus The Plague is a novel by Albert Camus, published in 1947, that tells the story of a plague sweeping the French Algerian city of Oran. I think we’re going to have a new ‘Plague’ –– closer to Camus’ intentions.”. An Associated Press quotes Monica Stephens in an article on social media platforms locking down the accounts of President Trump. Prio Bhoyonkor February 12, 2012 - 6:00 am; Himu Misir Ali Jugolbondi February 7, 2012 - 2:29 am; Onuron Golok October 20, 2012 - 4:43 am; The Godfather November 8, 2012 - 2:37 pm; Pearl Maiden April 20, 2012 - 3:26 pm; The Virgin Of The Sun by Henry Rider Haggard October 17, 2011 - 1:33 pm; Naiera by Muhammad Zafar Iqbal October 15, 2012 - 6:20 am; The Battle of Kadesh May 8, 2018 - … “So where Camus will write something simple, like, ‘They returned to work,’ Gilbert might translate that as ‘They put their shoulders to the wheel.’ The novel is heroic on its own, so it’s unnecessary to create that heroic feeling if it wasn’t originally there on the page.”. He highlighted the character Rambert, a journalist stranded far from home upon the city’s lockdown. Psychology Today published an article co-authored by Kate Berukova, about how the coronavirus pandemic may affect how we relate and interact with one another for years to come. Penguin Books has just published a new translation by Robin Buss of La Peste, by Albert Camus, and the text that follows is my introduction, written some months ago. Transportation is cut off, and many are left stranded in unfamiliar places, separated from loved ones. Marris says she’s looking at the world while translating the novel, wondering what Camus would say about what’s happening today. Last week, Marris published an essay in the New York Times titled “Camus’s Inoculation Against Hate.” In the essay, Marris wrote that “while Camus was writing for the moment, he was also writing for the future … I still hope that books from the past can be a kind of serum for the future.”, Camus lived through World War II and the Algerian War. The first-person narrator is unnamed but mostly follows Dr. Bernard Rieux.Rieux notices the sudden appearance of dying rats around town, and soon thousands of rats are coming out into the open to die. UBNow encourages discussion and welcomes comments from UB faculty, staff and students using a @buffalo.edu email address. M. Camus is a master of the Defoe-like narrative. Now, she feels as though she is “looking through the book at the world.” Camus’ fictional plague is in part a response to war, and the war metaphors many people have used during the current pandemic have created a “strange two-way street of metaphor.”. Marris’ translation of “The Plague” will be published in 2021 by the Knopf Doubleday Publishing Group. To choose to be a saint or healer can appear to be a battle against futility. Peter Farago Robin Buss’s 2001 translation - so much better! He had something personal at stake.”. A haunting tale of human resilience in the face of unrelieved horror, Camus' novel about a bubonic plague ravaging the people of a North African coastal town is a classic of … The Narrator: presents himself at the outset of the book as witness to the events and privy to documents, but does not identify himself with any character until the ending of the novel. BUFFALO, N.Y. – Laura Marris never imagined the approaching relevance of Albert Camus’ “The Plague” when she began working on a new translation of the novel last September for the Knopf Doubleday Publishing Group. Laura Marris never imagined the approaching relevance of Albert Camus’ “The Plague” when she began working on a new translation of the novel last September for the Knopf Doubleday Publishing Group. Marris began the project in September 2019, months before the coronavirus spread across the globe. These depictions are particularly significant because Camus himself had tuberculosis for much of his life and was in very poor health while writing “The Plague.”. It is difficult during these Covid days not to recall his most famous novel The Plague (1947) which describes the outbreak of a terrible disease which ravaged the population of Oran in North Africa, resulting in its isolation and shut down. It asks a number of questions relating to the nature of destiny and the human condition. “When Gilbert worked on his translation, the post-World War II context was deeply embedded in his mind with the idea that the novel is an allegory for the French resistance to Nazi occupation,” she says. A mysterious illness appears out of nowhere. Since my university days, I have been deeply attracted to Albert Camus (1913-1960), both his novels and his philosophical essays. A mysterious illness appears out of nowhere. “He gives a moving argument for the value of creating communities and having a shared immunity to the forces of totalitarianism, fascism, oppression, all those forces which on a large scale want to suppress individual communities and create some kind of terrifying cultural homogeny,” says Marris. “There are places Gilbert gets so caught up in the feeling of the novel that what he gives seems to be his experience of reading it,” says Marris. Gilbert’s translation is an obvious foil for Marris to work against and keep in the back of her mind, but she also considers the context in which he worked, and the environment in which she now finds herself. In 1947, French author Albert Camus published "The Plague" ("La peste"), a novel about an epidemic of bubonic plague in the city of Oran in Algeria. The plague that closed a North African metropolis in this fiction was carried by rats, and was ended by cold weather. “His restraint, and the way he lets the weariness of the situation into the rhythms of his sentences. Camus' story is older than WWII, and it is timely for 2020 America. Les curieux événements qui font le sujet de cette chronique se sont produits en 194., à Oran. The UBNow editor moderates comments and reserves the right not to publish those that do not add anything new to the discussion or fail to adhere to the Comment Guidelines. the plague / camus Does anyone know where to find a free pdf/link to Robin Buss' English translation of Albert Camus' The Plague/La Peste? In her senior year at Yale, Marris took a seminar on Camus’ major works with French professor Alice Kaplan GRD ’81. This is not a recapitulation of current events — it is the beginning of “The Plague,” a 1947 novel by French-Algerian writer and philosopher Albert Camus. Knopf contacted Marris last summer, based on her previous work translating French literature, to ask if she would audition for the job by translating the novel’s first 20 pages. Having secured the position, she began working a few months later on what will be the first version of the French literary classic for an American audience since Knopf published Stuart Gilbert’s translation in 1948. He was somebody with tuberculosis, so for him illness was not just a metaphor. In her translation, she hopes to bring attention to the story’s physical spaces. “Laura … is a writer who understands other writers, and has a lot of respect for Camus’ style,” Kaplan said. While he was writing The Plague, he was the editor in chief of Combat, the underground magazine of the French Resistance, whose contributors included André Malraux, Jean-Paul Sartre and Raymond Aron. But for Marris, an adjunct instructor in the Department of English, her work translating Camus’ allegorical tale set in a town ravaged by illness is now a project that continues in … I think some of them are a lot of fun. According to Marris, the novel’s allegorical interpretation often obscures the text’s depictions of illness and the city of Oran. Meucci said that vivid portrayals of the characters in the novel made the fictitious outbreak feel more real than the present one. With Camus’ The Plague finding an audience as customers looked for reason during the height of the pandemic, there was arguably no better time to publish a Khmer translation of The Outsider – Camus’ absurdist, existentialist novel following the life and execution of Meursault. Are we facing the death of teams, or a rebirth? Department of English. Hello to readers who accepted my invitation to read the 1947 Albert Camus novel The Plague together, and discuss it. 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